Author Archives: Scott Parkin
I want to ask you to tell me about that one story—whether novel, TV show, song lyric, short story, poem, oral tradition, folk tale, or true-life experience—that has stuck with you far beyond its telling, that fired your imagination and made you either want to read or write more.
It’s often not the best told or generally approved story you’ve read or heard, but it is the one that simply won’t leave your head. The powerful ur-story that changed the way you thought most profoundly. It may be inspirational or banal, famous or obscure, true or fantastic, uplifting or condemning. Continue reading
James Goldberg’s Four Centuries of Mormon Stories contest was a fantastic opportunity to get a look at twelve excellent visions on Mormon short-short stories told from a wide variety of viewpoints and structures. Each story was posted online, and open … Continue reading
As we age and learn, we often recast the things we experienced in earlier life in light of that new knowledge. We intentionally re-contextualize and re-index. We discover and formulate a larger—and hopefully more complete—story of that experience. Sadly, in the process we also tend to rob much of the vital essence from those experiences. Continue reading
I suspect inopportune literalism is the primary limiting factor in my confusion as to why good fiction must not, dare not, shall not contain a message. I read the books that others tell me are “good” and I see messages aplenty, and more often than not I see aggressive arguments for particular viewpoints. Scout may pretend to be unformed and open-minded, but “To Kill A Mockingbird” leaves no doubts about what the author believes are better (and lesser) moral conclusions through her voice. Continue reading
It seems to me that we are in the midst of a rather startling expansion of our traditional concepts of Mormon literature. There’s an active effort going on to expand the possibilities, to rethink what we can and should be doing with our unique voices and viewpoints. A lot of it makes me uncomfortable, but the more I consider it the more I think it’s a useful discomfort… Continue reading
It’s happened to all of us. We’re reading a story and a detail leaps out and slaps us in the face because we know that it’s just not true, and that even cursory research would have shown the folly of the claim. As a reader that drives me nuts because it breaks the illusion and jars me out of the story; it makes me wonder how many other details the author got wrong and undermines my trust in the story. As a writer I know that we sometimes play a little loose with certain facts to accomplish another literary task. Continue reading