Author Archives: Dennis Clark

About Dennis Clark

Dennis Clark should have been locked up long ago, but since he was allowed to wed and breed, the cat is out of the bag, the toothpaste is out of the tube, the cat is pawing the toothpaste and you should be careful what you put in your mouth. Put a good poem in your mouth!

in verse # 33 : a Blake vision

William Blake was perfectly capable of writing rhyming verse; it can and has been set to music.  Here is the text of an anthem known as “Jerusalem,” written by Blake around 1804 and set to music by Sir Hubert Parry … Continue reading

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in verse # 32 : warning – vasty generalization looming

Looming on my intellectual horizon, and thus on yours, unless, on reading this prophecy, you bail on me, is a vasty generalization — to which I am being enticed by John Pollack through the medium of his book The pun … Continue reading

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in verse # 31 : dark Satanic mills

If I were to tell you that I was writing a parody bent on displaying a hacker’s mindset, based on Ira Gershwin’s “I got rhythm,” and that it began I got rhythm                  … Continue reading

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in verse # 30 : the doors of perception

The first day of war in heaven didn’t go so well for Satan and his crew.  But as they counseled together in their defeat, Satan put forth a plan.  It takes the form of an assertion regarding that Heaven in … Continue reading

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in verse # 29 : of the devil’s party

William Blake was Milton’s son.  But it was no easy birth.  In his fine article on Milton’s prosody, John Creaser describes how Milton was able to work so well within the conventions of blank verse.  Creaser begins by summarizing the … Continue reading

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in verse # 28 : the pun is meatier than the surd

Sitting at home alone in bed when I was 13, and unable to go out because I was undergoing the aftermath of rheumatic fever, I entertained myself with old copies of Reader’s Digest.  One of the things I digested thoroughly … Continue reading

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in verse # 27 : wretched matter and lame Meter

John Milton didn’t know jack about free verse, and yet when he explicated his reason for shunning rime he sounded like he understood the reasoning of the free versifiers at the turn of the last century.  In introducing Paradise lost … Continue reading

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in verse #26 : organ music

If the last three letters of the f-word are what seems most repellent about it — the sound of “uck” — that would explain how some other words ending that way still seem a bit odd, if not funny or … Continue reading

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in verse # 25 : intended to be read in chambers

If we call blank verse the meter of performance, as it most certainly was on the Elizabethan and Jacobean stage, we may understand a little better the label “metaphysical poetry” that hangs like an albatross about John Donne’s neck, for … Continue reading

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in verse # 24 : appointed to be read in churches

All poetry is appointed to be read in churches; not all verse is.  There is a long history of verse in English, in German, in Russian — probably in every language — written to be read in toilets, in taverns, … Continue reading

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