Category Archives: On-stage

Dedications and the Real Narnian

Right before the first chapter of The Lion, the Witch, and the Wardrobe, one finds this short letter that C.S. Lewis as the volume’s dedication: My Dear Lucy, I wrote this story for you, but when I began it I … Continue reading

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Abandoning the Field or Fighting the Good Fight: Ethics in Business, the Arts, and Hollywood

Although I doubt it was really targeted specifically for me, I received a family e-mail the other day with an article that the Deseret News published about Scott Ditty, a Mormon actor trying to make his way in Hollywood. Ditty … Continue reading

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Players, by Thomas F. Rogers

Thomas F. Rogers, Nov. 2013 Editor’s Note: A former director of the BYU Honors Program, Thomas F. Rogers is professor emeritus of Russian language and literature at Brigham Young University and the author of more than a score of plays, … Continue reading

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Behold, Ye Are Fallen: The Case for Mormon Tragedy

Near the end of the Book of Mormon, the narrator, historian, and namesake of one of Mormonism’s most sacred texts, has just witnessed the downfall and near obliteration of his people. As he contemplates the carnage and the waste of … Continue reading

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Digital Drama: The Way to Keep Mormon Theatre Relevant?

I believe that keeping the flame of Mormon drama alive is important. Especially at our still early stage of development as a religion and a culture, we already have a rich heritage of dramatic literature filled with a wide range … Continue reading

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True Myths: Mythopoeia and The Collective Unconscious

As evidenced by the upcoming production of my play Prometheus Unbound, I’m a big lover of mythology. As a child I remember delightedly pouring over a book of myths about Hercules I found in my elementary school’s library. The mythology … Continue reading

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